"Then [referring to the La Fenice performances] it was a fiasco; now it has created a furore. It was not until the 1880s that the composer's and librettist's original wishes were carried out and "realistic" productions were staged. Gastone asks the Baron to propose a toast; the Baron refuses, so Gastone turns to Alfredo, who hesitates until Violetta assures him that it would please her. Fearing that the Baron's anger will lead him to challenge Alfredo to a duel, she gently asks Alfredo to leave. After a series of severe coughs and almost fainting, Violetta begins to feel dizzy and asks her guests to go ahead and to leave her to rest until she recovers. Though she was an acclaimed singer, they considered her to be too old (at 38) and overweight to credibly play a young woman dying of consumption. As Budden notes, it came to be Venice "that made an honest woman of Violetta"[13] when Verdi allowed a performance at the Teatro San Benedetto. At a party she is introduced to Alfredo Germont, who has been fascinated by her for a long time. "[12], Coincidentally, as Philips-Matz points out, an Italian translation of the play La Dame aux camélias was being presented just a short distance from La Fenice. Alfredo leaves with handfuls of money. He then leads everyone in a lively drinking song (“Libiamo”), and the attraction between the two becomes clear. After the lovers run away together, they live in bliss for a short time. She has recently come into better health and decided to host a party in celebration. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. ACT I. Violetta Valéry knows that she will die soon, exhausted by her restless life as a courtesan. Please refer to the appropriate style manual or other sources if you have any questions. Unlike Il trovatore, which was composed simultaneously, La traviata is an intimate piece, full of tender lyricism. Alfredo joins them, admitting the truth of Gastone's remarks. However, Alfredo's father, Giorgio, starts to interfere, concerned that Violetta's bad reputation will affect the marriage prospects of Alfredo's sister. In her Parisian salon, Violetta, a courtesan, is greeting guests as they arrive for her party. Any new Met production of Verdi’s beloved tragedy La Traviata would be noteworthy, but Michael Mayer’s dazzling staging, which premiered during the 2018–19 season, was doubly significant as it marked Yannick Nézet-Séguin’s first performances as the Met’s Jeanette Lerman-Neubauer Music Director. Alfredo is shocked to learn this and leaves for Paris immediately to settle matters himself. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". Violetta returns home and receives an invitation from her friend, Flora, to a party in Paris that evening. It's one of the most performed operas world-wide, most famous for its rousing drinking song. AllMusic Review by Allen Schrott [+] Carlos Kleiber 's 1977 La Traviata is a rare gestalt among studio opera recordings, and it is one of the conductor's finer achievements. De Van, Gilles (trans. Rumor has it that he has been enquiring after her health every day. Alfredo's father enters with the doctor, regretting what he has done. Top Rated Seller. Our warehouse team are currently working hard to ensure your order is despatched as quickly as possible. It is based on La Dame aux camélias (1852), a play adapted from the 1848 novel by Alexandre Dumas fils. Verdi- La Traviata (Netrebko, Villazón, Hampson) (2006) -. Kleiber knits the score together with unwavering rhythmic and dramatic intensity, never allowing any single moment to eclipse the larger scene or musical structure. As the months dragged on into October, it was agreed that Piave would come to Sant'Agata (Verdi's home near Busseto) and work with the composer. Left alone, Violetta wonders if she could ever truly be in love and if it was Alfredo who awakened that unaccustomed feeling in her (“Ah, fors’è lui”). [10], The audience jeered at times during the premiere, directing some of their scorn at the casting of soprano Fanny Salvini-Donatelli in the lead role of Violetta.
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